Whatever, whatever more pontificating and the montage continues with Will still writing his Sermon on the Mount, while the janitor is cleaning, and emailing it to Maggie, who’s just sitting around in bed with Don. Exactly what is the time frame here? Will continues revering the memories of all the august newsmen and how they are being besmirched by the likes of him, a cable news anchor in the same business as the producers of Jersey Shore. Because the only things on major networks during the time of the “great newsman” were Playhouse 90 and Omnibus.
OMG, he’s STILL talking. Now he’s reading it to the whole staff, who are enrapt by Big Daddy Will, going on about how Newsnight had its “Come to Jesus” moment and is getting back into the news business, and he’s quitting the circus to join the dwindling voices of the nameless, faceless journalists still dedicated to reporting the news, because “nothing is more important to a democracy than a well-informed electorate.”
Forging bravely down the self-righteous path, Will runs the apology past Charlie then says he’ll make no effort to subdue his personal opinion. Disregarding Cronkite’s opinion that “Objective journalism and an opinion column are about as similar as the Bible and Playboy magazine,” he’s basically revolutionizing cable news by creating The Rachel Maddow Showa year and a half after it debuted? Go boldly where no one has gone before, Will.
I’m an asshole.
Upstairs in the war room, at some point in the future, Buck Turgidson is giving his Power Point presentation about how the revamped Newsnight has been performing since “the apology.” Charlie’s playing all “see no evil, hear no evil,” and parsing the language that because Will said he was only speaking for himself that he wasn’t actually calling the network craven and greedy and Reese is wondering just how stupid Charlie thinks they are. Very stupid, Reese.
Downstairs in the newsroom, a bordering-on-drunk Don comes in to find Jim sitting in a dark meeting room and doodling because it was either sit alone in the dark in the office or do it at home. Don says he saw the show and would have loved to have been involved because he can produce that show, too. Jim, thinking it’s a friendly overture, starts condescending to him that he can. They can follow up and expand and rebut and whatever. Don cuts him off and tells Jim that he has a mandate to bring in viewers at 10:00 or else his ass is gone and their stunt set him up to look like an asshole before he had a chance to start. Okay, he’s doing a good enough job on his own, but he has a point. A self serving one, but a point all the same.
Jim sees his point and immediately counters that since it wasn’t their intent to screw everyone else over, they’re completely innocent and, anyway, he can still insist on doing the show he wants, even though he’s a young producer on a brand new show and already established that if he doesn’t produce numbers he’s canned. Don agrees with me and just drunkenly pats Jim on the shoulder before he leaves to point out to Maggie how she kind of fucked him over, too, by not letting him know about the email. That’s why you don’t date at work.
Back upstairs, the numbers guy is explaining…something…about how after the apology came the Time Square bombing attempt, prompting Reese and Charlie to pound their chests and compare what is news 101 v. douchebaggery 101, and that even though the networks led with the story, Great and Powerful Will only gave it three minutes.
These numbers suck, Charlie.
This segues into a flashback to the staff meeting about how they’re going to cover the attempted bombing and preening and patting themselves on the back for only dedicating those three minutes to tell the “boring” version of the story. And then we take a moment to retcon Maggie’s utter incompetence where she points out that the first person to spot the smoking car was Muslim so they should give time to point that out since others are covering the alleged bomber’s religion. Will gets his Solomonic expression and portentously agrees. Even when they’re right I want to punch both of them.
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4 Comments
Is there going to be a point where real time catches up with Sorkin time, and they start covering fake news or at least almost new news? I mean Mt Sorkin has an Oscar and I don’t but who the hell wants to watch a news show about old news? I mean that’s as bad of idea as having a show about a comedy show that isn’t funny. Ohhhh, [awkward pause], well at least there’s lot of walking and talking
Good recap, thanks!
Will’s opening speech was so freaking pompous that he reminded me of my contemporary American politics professor from my freshmen year of college. I really disliked that professor. And I really disliked his opening speech/apology.
@Waffleboy – Sorkin actually showed an unusual amount of self awareness when he explained setting it in the recent past was to blunt the accusations that he was using the fake newscasts as a personal soap box by creating news stories that fit into whatever sermon he wanted to write that week. Of course, he then squandered all that self awareness by being Sorkin and still making all the ACTUAL news that happened at the time fit into whatever sermon of the week he wanted to write. But baby steps.
And ellemck1 – even by Olbermanian “Special Comment” standards, Will’s “apology” was too much.
I just really dislike the entire show. It’s so bogus in such a conceited, self-congratulatory way. I don’t hate Aaron Sorkin, but he should be ashamed of this trash. Maybe I can’t get into it or behind it or some other form of appreciation, because there’s nothing so far that reminds me of the almost two decades that I worked in and around TV news. What bugs me most is that the “civilian” viewers think this program shows news programming like it’s the real deal, when it’s so far from it. Just the other day I had another conversation with a friend who thinks the show is great. Aaarrrggghhhh! (BTW, I’ve quit watching it, but I might have to quit reading vallegirl’s great recaps, because she describes the show too well and even reading about it this way annoys me with the show.)