
Ah yes, early June. Time for the gayest night on national television—not the Queer as Folk season finale, not the Cher guest spot on Will & Grace, but the 58th annual Tony Awards—the night when CBS tries to make middle America warm to a bunch of old, dried-out Manhattan theater queens.
HIGHLIGHTS:
8:00pm
Our host, Hugh Jackman, emerges onstage, flanked by some beauties from the casts of the musicals Hairspray, Little Shop of Horrors, and Caroline, or Change. They all shake it while singing ‘One Night Only’ from Dreamgirls. Hugh pretends to be interested in women.
8:03pm
Dear Hugh high-kicks higher than any of the Radio City Rockettes, putting the last nail in any chances he ever had to be the next James Bond. Hey Hugh, how’d your hamstrings get so limber?
8:07pm
Billy Joel limps onstage with Jane Krakowski to present the first award of the evening. T-minus how many days til he crashes his car into another house? Let’s take bets.
8:08pm
Ms. Krakowski, in standard charming-quirky fashion, saves the on-another-planet Mr. Joel from blatant flubs with his cue cards. Despite the help, Mr. Joel goes on to mispronounce several exotic nominee names, such as “Caroline” and “Jennifer.”
8:12pm
Phylicia Rashad (aka Clair Huxtable) and Sean Combs (aka P.Diddy, aka Puff Daddy, aka Maria Teresa Thierstein Simoes-Ferreira Heinz Kerry) present Best Featured Actor in a Musical. Winner Michael Cerveris, the whitest man in the world, jokes, with attempted flava, about being onstage with “Puff.” Mrs. Huxtable barely tolerates this shit.
8:19pm
Kristin Chenoweth, who plays the witch Glinda in Wicked, floats out over the stage in a big bubble, amid supplementary bubbles. Somebody shoot that bitch down.
8:24pm
Alfred Molina sheds his scary metal prosthetic octo-arms to lead the company of Fiddler on the Roof in a rousing rendition of ‘Tradition’. They ignite the audience with their chutzpah and win the Tony for Butt-Ugliest Broadway Cast.
8:37pm
New Jheri-Curl spokesman Brian Stokes Mitchell, with excruciatingly perfect diction, introduces the nominees for Best Play. Nice shirt, crazy man.
8:39pm
8,000-year-old Chita Rivera sashays out to present Best Choreography and makes a nice mention of the dearly-departed Broadway great Gregory Hines. Kathleen Marshall, sister of Chicago film director Rob Marshall, wins for the wonderful dancing in the wonderful revival Wonderful Town. Fucking wonderful.
8:42pm
Edie Falco, sporting not-so-wonderful bulldyke-Caesar hair, introduces a musical number from Caroline, or Change. The usually amazing Tonya Pinkins sings a horrific, bellowing rendition of her big number from the show. Try clearing your throat and singing on key.
8:57pm
Kristin Chenoweth and Idina Menzel (real-life wife of actor Taye Diggs) play who-can-shriek-the-loudest in a number from the bloated mega-musical nightmare Wicked. Ms. Menzel’s green wicked-witch makeup makes her and Mr. Diggs a doozy of an interracial couple.
9:06pm
Hugh Jackman pretends not to be interested in Rod, the closeted gay puppet from the magnificently demented little puppet musical Avenue Q. Mr. Jackman unnecessarily involves his “wife” in the oh-so-racy banter. OH REALLY.
9:10pm
8,000,000-year-old Carol Channing, accompanied by LL Cool J—a match made in someone’s heaven—presents the award for Best Music. Ms. Channing not only sounds exactly like Barbara Billingsley as the Jive Lady in Airplane!, she also, we learn, LOVES hugging LL. The award goes to Avenue Q in a nice upset—Puppets 1, Witches 0.
9:27pm
BrÃan F. O’Byrne, an Actor, presents an Actorly speech about Acting in Professional Theatre. “Ooh look at me, I’m so Irish I need an à in BrÃan.” OH I BET YOU DO MARY.
9:28pm
Anne Heche, fresh from the mothership, presents Best Featured Actress in a Play to the lovely Audra McDonald from A Raisin in the Sun. Ms. McDonald accepts her fourth Tony in ten years with brief, heartfelt comments. Listen up, non-brief, non-heartfelt retards.
9:31pm
It’s Victor Garber. Who’s next, Treat Williams?
9:40pm
Martin Short got out of his straitjacket somehow.
9:46pm
Jimmy Fallon is introduced as “popular comic actor Jimmy Fallon.” Thanks, cheerful announcer!
9:57pm
For the first and likely last time in his life, Ethan Hawke has better hair than someone else. It seems Scarlett Johansson still hasn’t brushed, or even washed, her hair since she and Benicio Del Toro did their post-Oscars “making out or having sex or something” in the Chateau Marmont elevator.
9:58pm
Phylicia Rashad, most deservedly, wins Best Actress in a Play for A Raisin in the Sun. Her way-over-the-top delivery, however, nearly ruins what would otherwise be a lovely acceptance speech. Pipe down, Phylicia.
10:04pm
Washed-up songwriter Carole Bayer Sager, looking like Joan Collins meets Elvira with her fingers in an electric socket, introduces Hugh Jackman’s musical number from The Boy from Oz. Mr. Jackman emerges in gold pants, riding a camel. Bet that’s not the first thing he rode today.
10:07pm
Crazy old Hugh coaxes a tentative, mortified Sarah Jessica Parker onstage, but she refuses to lambada with him cause she’s “worried about her top.” Hey SJP, quit the prim-and-proper shit and just flash a little tit already.
10:15pm
Drowning in mascara, Laura Linney robotically presents the four nominees for Best Play – Revival, with a forced little smile for each one. Awwww.
10:19pm
Speaking of awww, cute little Bernadette Peters comes out to inform us that she’s not dead. Awww, let’s pet her.
10:25pm
Hair mussed from a backstage tryst with Doogie Howser, Hugh Jackman makes perfunctory mention of Tony Randall’s passing.
10:27pm
Patrick Stewart is still bald. Engage.
10:28pm
Best Actor in a Play winner Jefferson Mays uses the phrase “piquant ingenue.” Please run this guy over with a bus.
10:32pm
Bafflingly, Mary J. Blige comes out to sing ‘What I Did for Love’ from A Chorus Line. In keeping with the evening, she sings horribly flat. Tone-deafness aside, whoever matched her with that song must have been the same ad wizard who cast Random Hearts.
10:41pm
Renée Zellweger, eyes wide shut, twirls onstage with Rob Marshall to present Best Actress in a Musical. Turns out that winner Idina Menzel of Wicked looks better with the green makeup than without. She gets very verklempt. BITCH STOP GASPING.
10:45pm
Pale, tragic Nicole Kidman, ponytail ratcheted down so tight you can see her cranial nerves, puts on glasses to indicate that she’s Serious about Presenting her Award. In the process of announcing nominees for Best Actor in a Musical, she wins Most Painfully Awkward Teleprompter Utilization.
10:46pm
Hmmm, Aussie Ms. Kidman presenting Best Actor in a Musical? Coincidence? You think Aussie Mr. Jackman might win for playing Aussie Peter Allen in The Boy from AUSSIE-FUCKING-OZ??? Wait do you get it?? OH MY GOD I GET IT!
10:56pm
In the final award of the evening, Avenue Q wins a huge, gratifying upset over the odious Wicked. Yay upsets! Yay genuine emotion! Yay puppet sex!
LESSONS FROM THE EVENING:
1. Hugh Jackman = not the boy next door, not the next James Bond.
2. Audra McDonald = classy (and can probably beat up Hugh Jackman).
3. Live singing = flat singing.
4. Puppet raunch = Tony success.
In all seriousness, a nice evening of surprises and upsets, with Tony voters seemingly voting with their hearts rather than checkbooks. For the academics, a list of major winners:
Best Musical
Avenue Q
Best Musical – Revival
Assassins
Best Actor in a Musical
Hugh Jackman – The Boy from Oz
Best Actress in a Musical
Idina Menzel – Wicked
Best Featured Actor in a Musical
Michael Cerveris – Assassins
Best Featured Actress in a Musical
Anika Noni Rose – Caroline, or Change
Best Direction of a Musical
Joe Mantello – Assassins
Best Book of a Musical
Jeff Whitty – Avenue Q
Best Music
Robert Lopez and Jeff Marx – Avenue Q
Best Play
I Am My Own Wife
Best Play – Revival
Henry IV
Best Actor in a Play
Jefferson Mays – I Am My Own Wife
Best Actress in a Play
Phylicia Rashad – A Raisin in the Sun
Best Featured Actor in a Play
BrÃan F. O’Byrne – Frozen
Best Featured Actress in a Play
Audra McDonald – A Raisin in the Sun
Best Direction of a Play
Jack O’Brien – Henry IV
If you like it, spread it!:
52 Comments
Hugh Jackman might be the first in a long time to garner consideration for the Triple Crown of acting performance awards – The Oscars, The Tonys, and the Daytime Emmys.
Wow, this is the first time I actually regret missing The Tonys.
You got everything perfect, right down to the Aussie thing. If I had one bit of wit that you might of left out, I would have written it here. Thanks for the recap.
no comment on the ‘Assassins’ number?
I enjoyed the Tonys but it is clear that some of the prizes granted were for political reasons.I do agree that Tonya Pinkins and Mary J. Blige sang off pitch and sounded like they were having vocal difficulties.
I particularly enjoyed the scene from”Big River” where they briefly showed the deaf chorus signing.It looked beaurifully graceful to me.
Thanks for the update. I watched Edie Falco and a couple of other Tonys on HBO instead.
FYI – Peter – they have Sopranos coveragehere too. how long has tvgasm been around? it’s awesome. is it a gawker site?
I think a queen as James bond would add a whole new twist to the overdone 007 cunt-adoring epic. Bring on Hugh…let get it on with a hunk-a-burnin’love!
My partner and I made almost all the comments you did about each section. Especially the awful singing! I know that most of them could do better. If I ever hear that rendition of “What I did for love” again, though, I will slit my wrists. I love that song, and the arrangement must’ve been done by a butcher.
Other than that, it was a good thing Assassins was considered a revival. If it hadn’t been, Avenue Q might not have done so well, Assassins being a Sondheim musical.
What??? Hugh Jackman GAY??? OMG! and all of us here in Oz thought she…I mean he…was a wonderful, devoted husband. However, it appears that’s what Miz J is looking for! You could knock us down with an eyebrow pencil, that’s how shocked we are. I mean, he plays Peter Allen, who as we all know was married to…Mrs Gest? That **must** make him straight…..
So….is it “Hugh Jackman”…or “Huge Act-man”…..?
you basically nailed it. my biggest belly laugh of the night was p rashad’s speech. she was channeling anne baxter as eve harrington at the sarah siddons awards. but baxter was more subtle. i’ll never get the vomit out of my carpet. phylicia you owe me a new rug!
Hugh would make a brilliant James Bond. I think it’s a talented man who can play Wolverine & Peter Allen. It’s been a long time since you’ve seen an actor who could sing, dance & act…maybe Gene Kelly? Sit back over the next 5 years and see what he achieves! He would be great in Guys & Dolls…but I await news of 007.
I do think the leaving out the gasp of correct yet unconvincing shock when Harvey (it’s safe to like that fag ’cause he’s sexless) Fierstein said they should move the production of “Assassins” to Washington D.C. is something of an oversight. For the Tonys, that’s practically edgy! As was leaving out the cooly sarcastic reaction shots of predetermined Tony shut out Boy George, who proves that naive two chord songs from a musical illiterate can surpass the yell “singing” bombast of “real” songwriters (“Wicked” anyone?) anytime, anyplace. And I hope you were joking about those nauseatingly talent free puppet moments.
Jackman can be a worst ham. And high-kicks or not, his performance as Peter Allen comes off as a cringe-making heterosexual impression of Allen’s effortless camp panache…especially for anyone who saw Allen at his Broadway peak in Up In One. It’s a horrible piece of miscasting. However, put Jackman in a straight forward leading man role, such as Sunset Boulevard, which he played in Oz, and he’s perfect. As an aside, a backstage queen from Sunset Boulevard told me that every man, woman and dog involved in the show had fallen head over heels in love with him. To repeat the street talk: apparently he’s a very nice man.
Ahh…but you forgot the most important part of P. Diddy’s time on stage – how horribly he butchered the names of not one (Michael Cerveris) but TWO (Raul Esparza) Tony nominees. And that would be why Michael got up there and called him Puff. But I’m sure Mr. Combs didn’t get the joke….
Whoever you are, I love you.
I have incredible respect for whoever wrote this, since many of these thoughts were running through my head while I was subjecting myself to watching it. Kudos to you!
You left out how Sarah Jessica Parker’s stylists seemed to operate under the mistaken impression that she is J Lo. Onward and upward with The Arts!
You asshole! Although this is probably the funniest Tony review I have ever read and Idina and Caroline did sing flat, you had no right to make some of these comments. They were just catty and obnoxious and Hugh Jackman is not gay. I am a Broadway-obsessed freak and I think that you are just an uncultured homophobe who’s anti-Broadway and likes to show it by posting obnoxious reviews. If you hate Broadway so much, why’s you watch the awards?
T0 the person that wrote this, why are you such a bitch?
Dearest BGH,
I AM gay, I love theater, and hell I’ve even seen most of the shows that were up for awards. You ever heard of tongue-in-cheek snarkiness? cattiness? It’s a STAPLE OF GAYDOM for god’s sake! It gets boring if you focus only on the good; that’s what recaps from the AP and NYTimes are for.
Are you kidding me? The guy who wrote this is a bigger queen than any of you theatre fags out there.
Sheer Brillance.
If m-ruv were any gayer, he’d have to have his own float at the Pride parade.
Dammit. I just can’t compete with the snarkiness on this page.
I’m going back to the reality tv section.
While the show had it’s ups and downs it is in no way deserving of the crap posted on this website. It makes me sick the way some people think of the theatre community. Why sit and watch the Tony’s if that’s what it’s all about. Some people are so damn willingly ignorant.
Hugh Jackman is NOT gay!!! I will be so glad when
Hugh’s portrayal of Peter Allen is done on Sept.
12 so ignorant people will stop making this
“gay” association just because he is playing a
gay man on Broadway. Hugh is a VERY versatile
actor and is a strong candidate to play James Bond. However, I feel that he is really
too good of an actor to seriously consider accepting the role of 007.
You got one thing wrong: Carol Channing is 9000 years old. I’ve counted the rings.
This past Sunday was the first time in maybe twenty years that I did not watch the Tonys with my winged monkeys at my side. I was so missing their sharp, witty comments, and then one of them sent me this via e-mail…brilliant! Hysterical! (In fact…I’m kind of thinking my friend TOm wrote the review..only he’s a little meaner!) As for Hugh Jackman…he’s wonderful and talented and hot, whatever his persuasion..and don’t you all know that EVERY gay man accuses every straight man of being gay? It don’t mean a thing, so lighten up, everybody..he can still be James Bond!
Whoever is behind this website is seriously gifted! I can’t tell you what a welcome break this was from all the other drivel I’ve had to read before and after the Tony’s. When’s YOUR racy new musical due?
I’m one of the low lifes who missed this year. The Tony’s, that is. But luckily I was made privvy to this startling re-cap, which like the Enterprise, has gone where no man has gone before. Uffda, as we say in Minnesota–pretty acidic but scathingly funny commentary. Of couse the author of this must look like Brad Pitt, posess the acting ability of a young Lawrence Olivier, sing (on tune, a’course)like The Three Mo’ Tenors combined and dance like Gene Kelly . . . right? Dude, you must be all that to cold dis people in this wildly carefree fashion. Hope you get the chance to strut your stuff for the rest us sometime soon. Oy Vey.
I was glad that Avenue Q won . It is unique and very cleverly written. As for Hugh WHO CARES??? But I do not think he’s gay; as Irene says all gay men want him to be. Stop stressing!
Seeing Carol Channing on stage in those heels was the most exciting moment on television I’ve ever seen. She looked so brittle and fragile. You weren’t watching a Tony presenter.. you were watching a woman fight for her life.
Brilliant! I sat and laughed out loud!
WTF? this was obviously written by a total lame-O. reading the comments, i feel like everyone is taking CRAZY PILLS!
Maybe you didn’t know who he was, but I think it was an oversight not to mention David Richenthal’s (producer of I Am My Own Wife) rambling, crazed rant about what? — gay marriages? good theatre? — which completely sucked the life out of the award for Best New Play.
Understanding that most of this review, if not all, was done with a tongue-in-cheek attitude. . . i will not discuss it because some of the comments were funny and Carole Channing scares the CRAP out of me. However, to whoever commented that Hugh was horrible playing Peter Allen. . . no I cannot say I ever saw Peter Allen perform; I wish I had. But I will say that I saw Boy from Oz and he was absolutely magnificent – no he does not sound exactly like Peter but he doesn’t have to. . . he moves about the stage with such grace and ad-libs with the audience so effortly that you are convinced, even if just for those two hours, that he IS Peter Allen. . . either way – I have to give my cheers for the gay puppets heh -
I agree with Jash. Whoever wrote this has to just relax. If you’re so good at it, why don’t you be on an awards show. Whatever. I bet you’r ejust a jerk who walks around elbowing people out of your way.
I do admit that Idina, though not flat, was having some quality issues with her voice, I still gotta defend her because this role has taken her voice to new heights since they made her butcher it in the teeny bopper crapfest “Rent.” she has to do this 8 other times a week, and one performance at an awards show doesn’t take away how talented you are. And now she has the trophy to prove it. As for gasping, she was just excited, breathing probalby wasn’t the first thing on her mind when she got up to the podium. I also think the look on Taye’s face when she won was one of the most heartwarming things i’d seen in awhile on tv. He was truly proud of her.
fucking hysterical!
Fabulous, darling, fabulous. Three cheers for the wonderful “Q” puppets… any musical with lyrics like, “Me up all night honking me horn to porn, porn, porn”.. well, that’s a winner in my book. Incidentally, to those of you bitching this guy out, please realize that a STAPLE of the theatre scene is the ability to make witty, catty comebacks at a moment’s notice; it’s tradition, it’s entertainment, and most of all, it’s fun.
As one not able to abide the duration of the festivities, I do agree whole-heartedly with the assessment of the portions which I did see, especially the appalling singing in the so-called aria from “Caroline, or Change.” If Ms. Pinkins wants any kind of longevity, she had better learn what bel canto means straight away.
Finally, the bel canto dis we’ve been waiting for.
This is the bitchiest, nastiest, snarkiest thing I’ve ever seen on the web and I LOVE IT!
Almost as much as I loved the Avenue Q upset. All I have to add is, if you thought Tonya’s number from Caroline sucked, just imagine how tiresome the whole damn show is! Ms. Pinkins might have had better help from her songwriters – if you can call them that. I know a lot of people think this is Important Theatre, but I thought it was pretensious, arty and awful. I’m really glad the Tony voters decided to recognize what really was the better book and score.
banned
Whoever you are, you are a brilliant humorist. Kudos for impaling the balloons of the puffed up on the hatpin of humor. Please alert me when you………pierce, poke and play again…….Chantooz
OH GOOD GOD !!! YOU HAVE IT SPOT ON.I BELLY LAUGHED OUT LOUD.THANKS FOR EXPRESSING WHAT ALL OF US WERE THINKING ONLY FAR MORE ELIQUANTLY , WITH ABSLOUTE ATTENTION TO THE EAR PIERCING ,EYE BORW RAISING , SHINANIGANS OF THE WHOLE AFFAIR WITH FABULOUS COMIC FLAIR…BRAVO!!
Oh, my god.
This was the funniest thing that I have read in AGES.
I enjoy satire far too much for my own good.
Whoever you are…you rock. So much.
First time on this sight, and I LOVE it…..
OMG! Anika Noni Rose (Best Featured Actress in a Musical) was in “From Justin to Kelly”… I’m sorry, I just had to tell someone. Heh.
Loved the rest of the snark, btw. (Although, please, don’t fault Benicio. He can’t help it if teenage skanks fantasize about balling him in elevators. I’ve got ten years on Scarlett “The Harlot” and I wanna do that to him, too!)
I didn’t see the Tony’s this year, I guess I didn’t miss much. BTW, why DO gay men always think straight guys are gay? Is it just wishful thinking, or sour grapes? Lol.
I must respond to this review. I totally agree with almost 90% of what you say. I loved the opening number. I was totally disappointed in Tonya Pinkins. VERY BAD AND EMBARRASSING. Idina Menzel was not the best either but she is was fabulous in the show. Stuff happens. No one is perfect. We got to understand this is not a cd where they can change and correct notes. It is live theatre. That is the chance the actors and we take as the audience. Give them a break. Plus, I heard Tonya was sick before she went on
. I felt Anki Noni, Audra and Phylicia’s speeches were all beautiful. It was a great night for women especially. Mary J. Blige, I love ya but you were aweful! This whole thing with hip-hop/rappers coming to Broadway worries me totally. Some stuff and people was useles but on the whole it was good to see the underdogs win.
am i the only one in the world that wanted wicked to win best musical? kristin chenoweth is my favorite person in the world.