Whoops. This one’s a bit late, guys. Sorry bout that… I’ve been crazy busy with a new job and Thanksgiving family plan stuff. (In fact, I’m on a plane right now flying home Seattle. This is weird watching Glee and writing on the plane. I get the feeling that this lady next to me is reading what I’m writing…) Anyway, I wanted to give our voices time to heal now that we’re finished raving (or yelling) about Gwyneth Paltrow’s appearance last week,. I’m looking forward to a nice plain old episode of Glee sans guest stars and/or artist themes.
“So here’s what happened on this week’s Glee”-
Kurt is walking down the halls of McKinely, sandwiched between his dad, and Finn’s mom, all of em’ with big smiles on their faces. They surprise Finn with wedding news. Kurt’s makes himself the wedding planner and Nude Erections will be their official entertainment… Wow, that’s uhhh, classy? I’m not sure having my kid’s high school choir sing at my wedding would ever be an option. Not even if was the actual cast of Glee… Probably. Okay. Fine. I wouldn’t MIND that… Although I do kind of love the notion of having a professional choir at a wedding. The choir singing “Everybody’s Free” during the church scene in the mid 90s version of Romeo and Juliet‘ was absolutely beautiful to me. I’ve wanted one at mine ever since, although a choir does seem a bit grandiose.
Someone else is getting married. Guess who. It’s Sue Sylvester? Oh, but, it’s to herself. Wa wa wa waaaaaa. Kinda weird. Seems a bit absurd even for this show. I bet the Conservative Republicans won’t let it happen anyway.
Finn and New Guy Sam are acting like frenemies in the locker room. NGS tells Finn he wants to be popular and minutes later he’s proposing to propose to Quinn in the science room. Quinn gives him a maybe… Promise rings, to me, are the cowardly version of making a commitment to someone. It’s like making a commitment without actually having to make a commitment. Is this suppose to make us question NGS’s intentions? He seemed genuine though. I bet he’s been hiding the ring box in his mouth for days.
At the lockers, Kurt talks Finn into dancing with his mom in front of everyone at the wedding and Finn agrees thinking it will make him look cool. Finn walks away excited about the idea and Karofsky sneaks up on Kurt for another intense bullying episode. This one was extra creepy. Gave me the willies. Shue notices Kurt standing in shock afterwards and they go see Principle SYLVESTER for help. Sue seems genuinely sorry that she can’t do anything about the situation for the poor lil’ “lady.”
In the band room, Rachel brings the ladies of Nude Erections together to do something about the Kurt/Karofsky situation. They decide to have their boyfriends have a “talk” with Karofsky. Tina seems a bit put off that Brittany and Artie are officially dating. Quinn seems intent on pointing out that her and NGS are NOT officially dating. Santana shows up annoyed that she wasn’t invited, and all this is discussed while the slit in Quinn’s skirt is perfectly placed on the upper area of her thigh and uhh, uuuuuuuh, what was I talking about?

Very lady like, Britt…
Sue is firing a lady named Marsha Dean as her wedding planner cause the wedding planner, whom I last saw as the President in Battle Star Galactica, and before that as “Stands With A Fist” on Dance With Wolves, is confused about the whole Sue marrying herself thing. I love Mary McDonnell. I just wonder why she would take such a small part. Maybe it’s not her… Anyway, Chief Wedding Deer is leaving Sue’s office and crosses paths with Sue’s mom who’s played by, holy smokes! Carol Burnett! Holy crap, I hate to say it, but boy oh boy does she look old. Justifibly so, she’s what in her late 70s? But MAN that woman was brilliant in her time. Brilliant, I say… Sue wants to know what the visit is about from one of television’s living icons and she tells Sue she’s finally caught the last Nazi. Who was living in Phoenix, Arizona, of course. (Can someone please tell me why in god’s name would you ever live in that state?) Sue’s mom also invites herself to Sue’s wedding and says she’s going to sing for her…
Rachel is super let down by Finn cause he refuses to stand up to Karofsky on Kurt’s behalf. Meanwhile, in the locker room, Artie and Mike are telling Karofsky to stop picking on Kurt and Karofsky shoves Mike into Artie and they topple over. NGS sees the whole thing and goes fist to cuffs with the big closeted lug. They throw each other around a bit and the Beiste breaks it up, but not before NGS gets a black eye. In glee, all the ladies are proud of their dudes, except for Rachel cause Finn MIA. I’m not sure what they’re doing with Finn’s character this season. He’s not at all the same guy they painted him to be in the first. But, I suppose everyone is allowed to stray from themselves every now and then, especially for the purposes of plot line.
In the auditorium, Sue’s mom arranges for some time to practice the song she’s going to sing at Sue’s wedding. The Nazi slaying motha sings a 1953 Broadway musical Wonderful Town’s “Ohio.” Pretty cute but very presentational. I know Glee is theatrical at it’s core but Carol Burnett might has well been winking at the camera. Sue singing the lower part of the harmony was my favorite part.
Okay, WHY is Kurt’s dad is in the band room with Kurt and Finn? Kurt is helping his dad to rehearse for his big dance at the wedding, but why can’t they do that in the comfort of their own home? At one point, Kurt is also giving dance instruction to Finn. Karofsky walks by, sees what’s goin’ on, and gives the limp hand gesture to Finn. Kurt’s dad sees thaaat and wants to know what’s going on. Kurt lets the beans outta the closet and Burt attacks Karofsky in the halls. He also calls Finn out on not protecting his soon to be step-brother.

If this happened in real life ol’ Burt Hummel would get in biiig trouble.
The Hummels and the Karofskys are having a conference in Principal Sue’s office to address the threat. Karfosky’s dad is waaaaay too rational for a parent and sides with the Hummels. Sue has him expelled, and then, for some strange reason, tells Burt to enjoy his wedding. I’m not sure why they decided to put Sue in this position other than to expose her humanity and soft side. But we’ve already seen that so now this just feels weird…. While I’m on the subject, what is going ON with this episode? A bit of a snore-fest so far.
Finn is getting ready for the wedding when Santana suggests he should tell everyone they slept together so he can seem cooler. He FINALLY starts to man up and gives her the no way Jose. Rachel walks in right as Santana is threatening to tell Rachel herself. Rachel wants to know what Finn and Santana were talking about and Finn tells her it was nothin’ and that he really loves her. Which he does. Which I like.
I thought I was suddenly watching that popular horrible viral YouTube vid where the entire wedding party couples off and dances down the aisle, but then I realized it was just Glee. The whole glang marches down the aisle and sings Bruno Mars’ “Marry You.” Even though I’ve been a little bit tiny annoyed at this episode, and Artie wheeled down the aisle with streamers,

oh, and the wedding vows from both the bride and groom had more to do with their children and former partners than each other, I STILL cried. Kuh-rist, I’m weak!
For the bride and groom’s first dance, Goody Two Shues performs “Sway.” I LOVED the standards hat on Shue, and I think it fits em’ swell. Just swell. What a drooly crooner! A bit of a ducky shincracker, too. If he ever tries to make a record I would suggest he go this route, guys and dolls. Mr Morrison could make a heck of a lotta money causin’ a room full of ol’ dames to feel khaki wacky. Doesn’t quite have the silk that you get out of a Micheal Buble, for instance, but still pretty darn smooth.
Shue finishes melting old lady hearts and calls Finn up to give a speech. He thanks his mom, and now I’m really losing it cause Finn apologizes for not having Kurt’s back and performs another Bruno Mars song, “Just the Way You Are” in Kurt’s honor. They even dance together. This is embarrassing cause I’m clearly crying at what I’m watching on my laptop, of course, right when the stewardess asks if I need anything to drink. “Yes, please, and make it a double.”

REAL men ballroom dance. Together. And I’m not trying to be funny. I mean it.
I also like how shocked the new Mrs. Hummel pretended to look when Kurt and Finn asked them to join in the dance.

MeeeEEeee?
Sue’s wedding ceremony wasn’t quite as much of a tear jerker. It waaas kinda funny, but still really weird. I suppose it makes sense for her character, but, eesh, it’s just such a stretch, even for Sue. Sue’s mom calls her out on how strange the whole thing is and Sue kicks her out. I guess this is supposed to be Sue finally standing up to her bullying mother. She expels her mother just like she expelled Karofsky. Interesting (not really) parallel.
At the lockers, NGS is assessing the damage to his pretty face when Quinn drops by to give him something to help the bruises heal. She tells him how impressed she was with the way he handled the Kurt situation and points out that she’s wearing his ring… And now they’re they are officially promised to promise each other. First PuckelBerry, then Finchel, then Furt and now, ladies and gentlemen, meet Suinn. They’ll be out with their own line of bicycle’s soon. Don’t like Swinn?What about New Guy Quinn?
Back in Principal Sue’s office, the newly weds and Kurt are being told that since there were no witnesses who saw Karfosky being violent with Kurt, he’ll be back in attendance at McKinely the following day. Sue is so upset at the Board’s decision she resigns as principal. Thank god… In glee, Kurt thanks the glang for making his parent’s wedding so special and drops the “but I’m transferring to Dalton Academy bomb.” Of course, everyone is super bummed and they offer to put Kurt in the Nude Erections protection program. Still, Kurt refuses for his own safety, and once Mercedes starts to plead in protest, he walks out the band room in tears.
Well, my gleeloveds, I gotta say that other than the wedding scenes, ol’ Birschy was not THAT into this episode. Maybe that’s because I really wasn’t into any of the tunes in this go round. But I guess most of the numbers WERE in the wedding scenes so maybe it just didn’t feel substantial enough. I don’t know, you guys. But I do know that the lady’s baby next to me needs a diaper change. At this point, I hope she IS reading over my shoulder…
Thanks for sticking with me, honeys.
Talk at you next week.
yours and everyone else’s,
BirschTalk
Glines O’ the Week
“That’s why we feed them glitter, Finn” Kurt answering Finn’s “Won’t releasing 300 birds in doors get kinda messy?”
“By the power vested in me by a website, I now pronounce you Sue and Sue. You may kiss yourself.” Sue
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12 Comments
Matthew Morrison is, in fact, recording a record and did invoke the name “Buble” to describe it. But I like Morrison’s voice better.
But instead of Suinn, I think they should be Quam because it sounds like and olde timey expectorant and I know I generally hack whenever I see them. But that’s probably my issue with the inconsistency with the way they’re writing Quinn and how quickly she’s forgotten the “torment” of last year and become a stone bitch. What happened to her bestie friendship with Mercedes who let Quinn live with her family and HAD to be in the delivery room?
Anyway, I thought the Sue marries herself storyline was too much, even for Sue Sylvester. She is delusional, mean and blindly ambitious, but she’s not stupid. Like with her trying to disband the football team it just doesn’t make sense. Why would she try to humiliate herself by staging a wedding that emphasizes that she’s alone?
vallegirl i asked my friend the same thing last week. are quinn and mercedes still friends because i don’t even think i’ve seen them talk to each other this season. and seriously with the shue singing again? he wasn’t my favorite person to begin with but i’m now really starting to hate his character. and the actor is kinda douchey too. see his interview in detail magazine.
“. . . Santana suggests he should tell everyone they slept together so he can seem cooler.”
Please. Anyone who loses their virginity to the village bicycle is the farthest thing from cool. The first thing Santana says after each of her sexual encounters is “NEXT!”
The bully scenes were scary, I couldn’t tell where they were going, but it was good to see them finally step up. Finn did step up in the Gaga episode, wearing the dress, but I guess that wasn’t good enough. Just wanted to point out how great the actor Max Adler is doing being Karofsky, his conflicted feelings abound.
I didn’t buy that he got to lie and deny the whole thing without any kind of, “Son, what’s your problem with Kurt, is it because he’s gay?” could have done a lot for moving the story in a positive direction, but that’s not what they are up too. It’s not covered, but Sue directly asks Kurt what he’s not supposed to tell them. Karofsky looks over, scared as shit, Kurt fumbles some lame excuse, and I can’t believe no one dug deeper. I would have liked to see the Dad’s reaction if he found about the kiss. I also think it should have been stated that beating up on the gay guy does not make you look stronger, or cooler, or straighter for that matter. Perhaps he may have agreed to stop . . . but we all know the reason for all this is so Kurt can transfer. I’m happy for his character, but not for the show–wont this split it up all the more. Maybe they should spin off and split the cast. I do like sway, but Shue, I like less and less. And frankly, would it be so hard to adopt an anti-bullying policy in all schools . . . ?
But, anyhoo, oh how I cried like a little bitch!!! My God!!!! Boody-hoo-hoo!!! Acts of kindness kill me always, but singing “you’re amazing, just the way you are” directly to Kurt was so hard to witness. Some are offended that he kept singing “girl” but since he directed the song to his mom and Rachel, it didn’t bother me. Note to the writers: a simple “coz you’re” instead of “girl you’re” could have fit seamlessly . . . just sayin’ ( I honestly wish more artists and song writers would keep this in mind, and be a little less gender specific. Would be easier for fans of the song to sing along whoever they are–I know, it’s me!
Can’t wait to see what the boy’s a cappella number is-how can they lose to Nude Erections, who have been all over the place musically this season.
It was a waste of Carol . . . should have saved her for when they had a little something more in mind. Hated the over emphasis on “Nazi Killer” wasn’t funny the first time. And what do you all think of the “lady” thing!? It wasn’t offending me, as it seemed she used it to embrace his more feminine qualities in an accepting way, but changing it to porcelain-Lame! I would have preferred a more gay friendly answer, and an offer to stop if he liked. Anyone?
http://www.youtube.com/watch?v=12rmX_d8L2U&feature=player_embedded#!
there you go juddfan
My favorite part of this episode was Santana’s reaction when Rachel realized and stated that Kurt would now be competing against them at Regionals. She just gave a subtle-ish look and an almost “oh no you di’nt” with her hand. Rachel, who was so concerned about Kurt in the beginning of the episode is now not concerned with his comfort or safety because it may interfere with their winning. I don’t like her anymore.
I think the scene with Carol Burnett was a great tribute to her career, it was reminiscent of her type of comedy from back in the day. And it was a great tie-in to explain Sue’s mindset; she even said herself that bullies are usually being bullied by someone else. Her mom bullied her & made her feel horrible, so she has become a bully. I think showing her potential redemptive qualities keeps her from going too Arofsky on us while still being one of the best characters on TV ever.
Jess-I think Santana is jealous & wants to up her status by being affiliated with Finn. Brittney is settling down with Artie, Quinn has the new BMOC, & she has the juvie delinquent.
Birsch & juddfan-I was a mess too at the Furt scene! Try watching the show while on a treadmill-it’s hard to breathe during those scenes!
Considering how horrible Kurt has always been to Rachel and how many times she’s tried to befriend him, and still was concerned about him earlier in the episode, one moment of her realizing he was leaving for a rival school doesn’t diminish her in my book.
I do question the writers and their disdain for ambitious women, though. Rachel is treated like a monster but her worst trait is her ambition. Most of the other kids in glee are just as awful in their own way but she’s the only one who constantly gets pilloried for her flaws, because her flaw is…high self esteem and the narcissism needed to become a star?
giffordsaz, Thanks so much for thinking of me, but I’m guessing that’s the finale song, which I know they have been teasing for the last few shows, so I’m a gonna wait–I have a good system of suspending logic and disbelief to maximize surprise as much as possible when viewing things, which also helps me be in the moment. Maybe a big reason this show can have such an impact on me. I have to say, tho I was not bold, fashionable or out of the closet in high school, part of me so identifies with Kurt, so I’m extra vulnerable . . . .just a theory.
I hope the writers sit down for next season and think about all the arcs they want to develop, and then weave it all together, star turns or not. It would be so much better to eliminate things like Sue’s marriage to herself etc in place of cohesive story telling. They’ve got such a huge cast, and many guest stars, and kids and teachers and parents . . . it’s a glut! There are clever ways to work many things in, as they prove from time to time, but having each season visit one character with one epi and then drop it cold . . . could be better, IMHO. I notice when they show the : Here’s what you missed, at the beginning, they include things from the last season, or weeks and weeks ago, coz it hasn’t been mentioned since that point. I certainly don’t envy them.
And, is it me, or does Sue seem like a natural choice for a lesbian–I believe the actress is gay, and she is awesome, blanking on her name–loved her on the L-list (yes, my little gay self watched my sistahs doin’ it)
Also, Rachel has two gay fathers . . wouldn’t Kurt want to meet them? Wouldn’t she want Kurt to meet them, talk about it get’s better. The show is so glutted with characters they can’t even go there, so again, crossing my fingers . . .
juddfan-I think they also said Rachel’s father’s are lawyers-I would think they could help out in this situation? I am curious as to when we’ll meet them, as we’ve met other parents already. Maybe they figured since she had the whole meeting-her-birth-mother story line last year they didn’t want to push it. Although I don’t know why they didn’t introduce them then, since it would have made sense.
And yup, Jane Lynch (Sue) is gay & recently had a great interview published (forget which mag) where she talked about her battles with booze, & how she recently met the love of her life-basically she’s just awesome.
The two actors playing her dads were in a few crowd scenes in the first season. They are campaigning on FaceBook to become part of the cast, or be seen on the show. It would have made perfect sense for Rachel to talk to her dad’s about the “mom” thing . . . seriously . . . and if they want her to be the “star” I’d rather personalize her than have her be unlikable, as she was in the beginning with the “new” kid who never came back. (another needless dead end–c’mon Murphy . . . cut out all the extraneous stuff and focus on what’s good . . . please)
Lastly, Kurt transferring is just running from the situation, like Blaine told him he shouldn’t do . . . I hope at the minimum, the Bully contacts Kurt to apologize . . . we’ll see, on tonight’s Glee!
Tvaholic, also love how great and natural Jane Lynch looks. In this day of plastic surgery and over plumped everything, she’s a real beauty with intelligence and sass–Love her!!!
Maybe they should spin off Kurt and family–would love to see more of Kurt’s dad too! There are so many worse family oriented shows out there. And they could cross over with Glee through Finn. They could even make the bully transfer to the school and go deep on the whole subject. (Why god, why–why can’t the world do what I want!-ha!)
Santana does seem to have a high opinion of herself, but she has always seemed slutty to me, sleeping with anybody who asks or shows interest. Sounds like she wants to elevate her status by snaring Finn instead of continuing having meaningless sex with Puck. Brittany also was depicted as sleeping around, but I see her following Santana’s example more than anything else; Santana has a strong influence on her because Brittany, not being very bright, is easily led along, and because she’s also in love with Santana. I see Santana as a user of people. She is mean like Rachel, but in a different way. Rachel is mean because of her blind ambition, but at least we see her softer side from time to time. I have yet so see Santana’s softer side; she is a harden character. I wonder about her backstory and why she is the way she is. We’re seeing a glimpse of why Sue Sylvester is the way she is. It’d be interesting to find out why Santana is the cruel, sexually promiscuous user that she is.