Although comedy is her profession, Nadine has accomplished a lot in her young age. She is a national champion black belt, a world-class soccer player, and an avid snowboarder. She started playing soccer at the age of 4, and continued playing through college where she majored in Biology, but quickly realized her destiny was to tell jokes, not to wear a lab coat. So she decided to be funny while finishing her Bachelors Degree in biology and continued on to get her M.B.A. Nadine’s comedy style is much like her athleticism, fearless. She’s made her way up the comedy ladder very quickly, and has become a club favorite at many of the country’s top comedy clubs, including the Improv chain. Performing in the Boston Comedy Festival and being noted as the “one of the youngest and brightest up and comers” and traveling to the Middle East to entertain the troops are just a few of her notable accomplishments. These days Nadine splits time between the stage, a radio studio, her computer blogging, and a television studio. Nadine’s TV, Radio, Writing credits include: national commercials, talking head roles on E! Entertainment, Showtime’s Hot Tamales Live, The Skinny: Fat Free News, The Sunny Side of The Truth: Real World Hollywood, TVgasm, Zazreport, Daddy’s Girls, Jerseylicious, celebrity interviews on Mania TV, a weekly half-hour television show that syndicates to colleges across the country for National Lampoon and a nightly radio show on XM Satellite Radio.
14 Comments
How did it further his biography by telling nasty stories about Kelly?
He’s an ass.
Everything she said about it, then and now, rang true. The fact that he claimed she cried about “Since You’ve Been Gone” feels like him trying to take credit for the success of the song in a particularly slimey way. Kind of like saying, “See, if you listened to me about My December you would have had a hit”
I’d be curious to see what he says about “Because of You”, he obviously had no idea why it was such a great song. The end of his career he dedicated to giving Whitney a come-back. I don’t know what he was thinking, sadly, all the magic that worked before was gone for poor whitney, it’s almost worse she had to cap her career with that album and horrible live performances.
Also, seeing him pick songs on AI a few time, it was always, “I Heard It Through The Grapevine” and crusty old songs like that. Not to take away from the classics, but if you watch those shows, you just hear those songs over and over and over. Been there, and over done! He seemed out of touch with current music, and I’m glad Kelly fought back, while it was happening and now.
I do confess, I may check the book out anyway. There’s also a chance this is a stunt for publicity, and they’re all in on it. He must have known if he threw a stone her way, she would hit it back and it would bring attention to his book. Reminds me of Elton and Madonna’s feud . . . I can’t tell if he’s trying to help her or what–made me hate him, I am sad to say . . . and, Madonna’s tour was the top seller of the year, pretty good for a “Fairground Stripper!”
I don’t know. She was also a big Ron Paul supporter for a week so I’ll stick with there are always three sides to a story: Clive’s, Kelly’s and the truth.
I agree w judddfan, I remember at the time Clive was actually coming out with hateful comments about Kelly, and it seemed like he wanted her album to fail so he could say, nyah nyah nyah!
He also seems like the kind of old crusty jerk that can’t tolerate a woman with an opinion.
And remember, this is the classy tool that threw a party in honor of Whitney the same night she died . . .
eyediosmio, I wish I could recall the exact things he was saying back then, but they were very hateful. Simon Cowell weighed in on it, saying, she’s made the company millions, they should let her do her record.
the comments around the blogosphere are so in favor of My December, I may have to go get a copy . . .
My December isn’t very pop at all, it’s just a good vocal album, which is why Clive Davis hated it so much. He only likes pop music. And he did EVERYTHING he could to make sure that album made as little money as possible so that he could say, “see what happens when you don’t listen to me?” Jackass. And maybe I’m being extra-sensitive, but the whole thing feels very misogynistic, too. Like, “She wanted to be independent, but she was CRYING in front of me… silly women.”
ah, I found a link . . . he appeared on the Idol finale and dissed her . . . I remember being so pissed about it the next day, and I wasn’t even much of a Kelly fan.
http://www.tmz.com/2007/05/24/clives-speech-aint-music-to-kellys-ears/
Clive’s a crusty old cock. What does he travel with a group of 5 at ALL times – must make take a shit a little awkward but then again he has 5 people on payroll that can 100% verify that said shit was indeed taken.
He’s fighting with a kid (relatively speaking) how mature is he? What a drama QUEEN.
I’m pretty sure the people verifying what he’s saying are paid to support him, and would not bite the hand that feeds them. In the meantime I checked out Irvine, it’s gorgeous!!!
the song Irvine on My December, i.e.
Team Clive.
Not for putting this out AGAIN, but because she was possibly his most difficult talent and after making starts like Whitney Houston and Alicia Keys it must have struck him dumb that an American Idol winner didn’t trust his instincts and vision. Kelly fought him on everything. She admitted it after her album flopped years ago that perhaps she should have been a bit more humble. SHE made the public statement and apology and she would not have done so if she hadn’t been an insufferable brat throughout the entire process. Execs like Clive tightly control their artists’ image, it isn’t a freeand loose indie label. If he wants to market you a certain way or for your music to have a certain sound, best to compromise. The man knows his stuff. I’m sure he’s still annoyed that he had someone so green fight him tooth and nail publicly for album control, only for him to relent and let her do it her way, and then it flops.
Kelly may be on the upswing of her career now, but had this book come out two years ago, her ‘open letter’ would’ve met with different results.
I love you Sacra, and deeply respect you, but I honestly think if Clive had backed her on her “artistic” album, the result would have introduced her to a wider audience, perhaps garnered her more respect, and helped her carve a niche as a legitimate artist, musician instead of just an idol winner.
Clive did a lot of good things in his career, but I’m not sure he stayed as relevant to the end (see my Whitney comment)
Either way, Mwah!
Hey Juddfan! You know I lurve you! I see what you’re saying, but I feel like Clive isn’t that type of exec. He created and built Arista Records and mainly it was because he had good instincts. Sure, he wasn’t right all the time, hell when I worked with J Records (his new label) when it first started, he’d signed three artists.. Alicia Keys, Olivia, and a guy (Jimmy Cozier? I forget.) Anyway, of the three, only A. Keys became a bona fide star. (But he cultivated her image. Her go to language was street slang and “hood” talk and she did no interviews or public speaking until that was under control. Same with Whitney. She was pretty ‘rough’ when she started but no one knew that because he kept a tight reign on her. Well, until Bobb-ay! )
Anyway, I can just say that I can image why an exec who made legends(!) would be annoyed by Kelly’s antics. If she wants creative control, do that at an indie label that’s okay with that. But, Clive Davis doesn’t run that kind of label. And Kelly needed to learn who had the real power. She may have won the battle (and got those songs on the album) but she lost the war (when he chose not to sink ad dollars into promoting it.)
He needn’t rub salt in the wound all these years later, but I do believe his account of events a bit more.